VFX & Post-Production
LTX for Post-Production brings together four capabilities for color, detail, and resolution. They are designed to produce elements and images that can keep moving through a production pipeline instead of ending as flattened previews.
Use this section to choose the right workflow, then follow the capability guide for its exact inputs, outputs, version boundaries, and limitations. The guides assume that you are comfortable with frame sequences, color management, and node-based or Python production workflows.
This section covers open-source ComfyUI workflows and the native Python paths identified in individual guides.
Choose a workflow
Choose the guide that matches your source material and production goal. Unless a card says otherwise, these guides focus on LTX-2.5 ComfyUI workflows.
Prepare for production
Frame sequences and timing
EXR sequences do not carry container timing. Supply the correct frame rate and confirm sequence ordering and frame count before generation. LTX video frame counts use the workflow’s supported 8k+1 structure; a loader may trim an EXR folder to its longest valid prefix.
Color management
Declare the color space that matches the pixels in an EXR source. Do not put display-encoded HLG or PQ values in an EXR file and label them as scene-linear. Match the output transform and viewer input transform to the generated EXR color space.
Preview and master outputs
Treat a tonemapped preview as a viewing aid. Use the documented EXR sequence or HLG video as the production output, and validate it in the color-managed application used by your pipeline.
Storage and quality checks
Frame sequences and high-resolution intermediates require substantial storage. Budget for source plates, generated EXRs, previews, and delivery masters. Validate representative frames, boundaries, motion, audio, and color transforms before committing a full batch.